Thursday, September 30, 2010

NC Zoo Sculptures


The other day I said to Gary, "Lets go to the zoo." Gary said "I thought you hated zoos?" I said "I do hate to see caged animals, but there's sculpture there." Gary said, "I should have known, more art." I better make time to go to the air museum with Gary.


When Meredith and Mark of Whynot Pottery took us by the elephant sculpture at the NC Zoo I just had to make time to visit. Thanks Meredith and Mark. Meredith calls the elephant sculpture "her elephants". I can see why, this sculpture is wonderful. Apparently the sculpture had to be done in China because that was the only foundry large enough for the piece.





I found out I missed some sculpture and a ceramic mosaic mural at the zoo. Guess I'll have to make a return visit. Wonder if I can talk Gary into another visit? Ha!



Great zoo, right up there with the San Diego Zoo; great sculpture, worth a visit for sure.


Now if this rain would stop or at least slow down a bit, I could visit more potteries here in Seagrove. More about those later.

Wednesday, September 29, 2010

More About Clay 'n Blogs


Here's two more pieces I placed in the Clay and Blogs Telling A Story show. The first a pair of wall tiles or panels about 15 by 7 inches. The way the glaze pooled in the tree textures reminds me of moonlight hitting the bark of trees. These two tiles come as a pair, but can be hung together or separately.

I started making botanical inspired wall tiles while exploring clay slabs as canvas. I've been a gardener for most of my life and a landscape contractor for ten years while living in California, so my love of plants is often blended into my work. On these panels I sign my name at the lower right hand bottom of the tile like painters do. I'm not sure I've seen this done on other's clay work before, have you?

Some of the tiles I make are textured, some have applied sprigs, and some under glaze and/or slip decoration. I found the oblong shape of the tiles are just the right size to place on narrow wall sections between doorways, at the end of a hall, or even on a porch. They come ready to hang and have felt discs on the back to keep from scratching the paint on a wall till the right spot to hang them is found.


This vase is the first in a series I'll be developing further when I get back to the studio. Most of the time when I make a piece I have an idea in my head of what I'll make. But with this vase I rolled out the slab and at the last minute decided to cut the angles in the top. Later I made drawings in my journal for more modified trapezoid shapes with angles. Then I made one more of this style vase which I'll post next time. Since I was born in 1950 I'm not surprised some of my work is influenced by the mid century modern architecture.

Not having my photo cube with me, it was difficult to photograph the subtle glaze colors of the vase and the high contrast between the lighter interior and dusky exterior. I should have taken Mark Heywood up on his offer for me to use his tripod. I think I'll invest in a tripod for my camera when I get back home.

Over the last several years I've seen my blogger friends work posted on their blogs but when I delivered my work to the show I saw all too well what I've always known, art is so much better seen in person, rather than on a computer screen. If you get a chance try to make it to the show, Clay and Blogs, Telling A Story. The show opens this Friday, October lst at the Campbell House in Southern Pines, NC and runs the month of October.

Just out, here's a good read on Carolina Arts Unleased about the show.

Tuesday, September 28, 2010

Clay 'n Blogs countdown


Deciding wasn't easy; here's two of the pieces I brought to the Clay and Blogs, Telling a Story show at the Campbell House in Southern Pines, NC, more later.


A big thank you to Meredith Heywood for inviting me to participate in the show. Meredith is curating the show for the Arts Council of Moore County, NC. There's more previews on Meredith's blog here. I was able to see much of the work of the other potters yesterday; what a great show this is.

Hope you can make it to the show, which will be up for the month of October. If you can't attend and are interested in purchasing any pots in the show, you can contact the Arts Council of Moore County at 910-692-2787 or email acmc@mooreart.org, after October 1.

Monday, September 27, 2010

Show Preview and Poke Salad


Pottery and sightseeing kept us busy all day here in Seagrove North Carolina. Thought you'd enjoy some rainy day photos we took touring the countryside after we got my pots cataloged and packaged to take to the Clay and Blogs show.


Gary and I went with Meredith and Mark to drop off pots to the Campbell House Gallery today for the Clay and Blogs, Telling A Story show opening October 1st. Wow, what a great show this will be. If there is any way possible, please try to attend; it will be up all month long. I will post photos of pots soon, in the meantime head on over to Meredith's blog to see some preview photos she took at the show.


The rustic log cabins, church windows, and local architecture have given me lots of inspiration for future pots.


It is pouring rain again tonight. Can't complain though as the rain was sorely needed.

Tomorrow I plan on going to the Randolph Arts Center for a presentation given by Ron Philbeck and Amy Sanders as an adjunct to the show From Within to the Surface.


What would the South be without poke salad. (All parts of this plant are poisonous even though some folks still prepare it in special ways and eat it). Comments are welcome.

Sunday, September 26, 2010

From The Ground Up


Look you can see one of Michael's soul pots in the fire.


What's finer than a family firing their pottery together? Other than a bunch of potters and friends getting together while they're firing; talking about their lives and firing pots.


Meredith, Mark, Gary, and I went to Michael Mahan's to see his firing today. Amidst the fire stoking, conversation, and roosters crowing, we enjoyed the moments of an everyday potter's life with Michael, Mary and Levi.


I'm enjoying myself immensely; the weather has turned favorably cool with a gentle rain welcome by all.


Even Duster, the rooster, enjoyed a family moment with Levi. Come back again for more pottery news from North Carolina. Comments welcome.

STARworks

On Saturday Gary and I went to Starworks Open House with Mark and Meredith Heywood. We met so many local potters, what fun.


Takuro and Hitomi were gracious hosts during the evening. Santiago made some great chicken mole and I left with a sample of their Star White 6, as well as Okeewemee 6, a buff colored clay to try.


Somehow I only took photos of glass blowing, to see photos of the open house, check Samantha and Bruce's blog here.



Stay tuned for some pottery tours coming up next. Comments are welcome.

Friday, September 24, 2010

Woodland Spirit


We made it safetly to North Carolina but I've only a few minutes on battery power and can't download any photos, so I thought I'd tell you about a woodland spirit. But please stay tuned for more about the sights, sounds, potteries, and gracious folks in the North Carolina hills.

Several months ago I visited a local wood turner to see how he was using the wood I gave a student of his from two camphor trees we had to cut down. I hated to cut down the trees but they had invaded our leach field and the trees have a very aggressive root system so they had to go.

While I was there I began looking at the wood and became enamored with the unusual grains, knots and imperfections I saw. I vowed to get some planks of wood and incorporate clay with wood. Wood turners use blocks of wood and I needed planks, so I started on a search for the type of wood I wanted.

I searched high and low, but the wood at lumber yards had no imperfections and few knots, and I wanted some wood with character. I placed an ad asking for old wood, pecky cedar or cypress to see if anyone would call. Several weeks later someone in the next town said he might have what I was looking for. He was cutting up old telephone poles. He gave me a piece of wood which had a nice grain, but the smell of the treated wood was strong and I didn't want to use it. Several more weeks went by and then someone else called me from even further away.

Gary and I drove way out in the country down winding and lonely country roads and finally came to the place. We drove down a long driveway into the woods and came upon a Florida cracker house without a lick of paint, porches all around and a tin roof. I was struck by the simple beauty of the unpainted wood which fit in perfectly in the deep woods.

A boy rode up to our car on his bicycle; I told him I'd come to look at some wood. He directed us to drive around the home. As we drove around back I saw the laundry was hung under the eaves of the porch drying out of the dew. I had my camera with me, but out of respect I didn't take a photo of their home, although I dearly wanted to. Out back there was a rundown shed with logs and lumber piled up everywhere and I wondered if I'd come on a wild goose chase. Truth be told I was a little nervous back in those woods and was glad Gary was with me.

A man came out speaking with a thick Southern drawl saying he had lots of wood to look at. The man took me into the shed and I spent time looking through all the wood he had stacked everywhere. While I looked he told me how he looked for special pieces with character. I knew I'd come to the right place.

Gary waited in the car because the mosquitoes were thick, although they didn't seem to bother me that day. The man had some wonderful pieces of wood to look through, full of knots, imperfections, and character. He said he milled the wood himself and wanted to keep the imperfections in the wood intact. He had his favorite planks of lumber sitting here and there waiting for that special piece of furniture or handcrafted item he might make. In the end he was willing to part with a few pieces of lumber I just had to have.

As the shadows of autumn become longer, woodland spirits seem to come alive. This woodland spirit chose it's own piece of wood to reside. The photo is the first in a series of wood and ceramic pieces I've been working on. I like to think this spirit springs from those deep Florida woodlands where a man is milling his favorite pieces of wood.

Mark Heywood, Whynot Pottery


Another person working tirelessly behind the scenes of the Clay and Blogs, Telling A Story ceramics show is Mark Heywood. Here's some of Mark's work. Aren't these wonderful! I can't wait to see some of these pots in person.


To see more of Mark's work, please see Mark and Meredith's website here. Hope you can make it to the Clay and Blogs show which opens October 1st at the Arts Council of Moore County, Campbell House galleries. If you can't make it to the show, there are pots available at the online show here.

Thursday, September 23, 2010

Jekyll Island Georgia


Hope you don't mind a few tourist type posts. Betty, Binky, Butter, (our cats) Gary and I are on our way. Only made it 200 miles in the motorhome yesterday. No we're not on this boat, it was just cruising by the pier.


Stopped at a campground in Georgia for the evening; here's the road to take a walk to the pier.

Made it to Jekyll Island Georgia campground, what a beautiful spot. Although mosquitoes are voracious under the trees.


Here's a local fisherman trying to catch mullet like he did years ago. More later, comments welcome.

Wednesday, September 22, 2010

Layers and a Visitor


Years ago I'd make a bowl like this and be happy I could make it. A year or so later I started putting a texture in my bowls. Then a year after that I started using slip designs, sometimes using slip by itself and other times on top of a texture. For non clay folks this bowl is slumped; the clay slab is slumped in a form.

This time I've added another layer. I painted pine needles in blue slip over the top of it all. They were going to be blue feathers, but they aren't quite feather looking, they're more like pine needles. Just another element to my clay design. Using the brush I got from Brandon helped me paint the thin lines for the pine needles.

I felt like I think a water color painter would feel letting the thinned out blue slip barely touch the clay to make the needles. It was so satisfying to be able to paint those thin lines. I've always wanted to paint with water colors and have never tried it. Maybe this type of painting on clay will satisfy that urge. I'm sure I'll be trying more painterly slip designs in the future.

I might start making templates for my bowls and plates, this one is half way between symmetrical and free form, I've got to figure out which I prefer. I think I'll make a few tiles and try that brush work some more.


I ended up making this swirling leaf plate instead of tiles. I'd like to improve the line quality on the leaves, but I like the background which is supposed to make it feel like the leaves are swirling in the autumn air. I didn't have the heart to cut this up. But I'm wondering if I make a tile mural, should I cut the tiles first and then paint the design, or paint the design and then cut the tiles?


While I was painting the leaves, something flew in for a landing. Is it a mosquito or a crane fly? I tried to shew him away, but he really liked the slip work. First he tried green then the chartreuse. Ha! It holds it's legs and body like a crane fly, but the mouth part looks like a mosquito, and the body looks like a crane fly, but the wings look like a mosquito. I was going to put him outside afterwards, but I don't know where he went. Probably waiting to bite me in the middle of the night. I didn't think mosquitoes would be attracted to clay. It was about 1.25 inches. Maybe it was a male mosquito, apparently they sip nectar and perhaps it thought the clay was sweet.

We're leaving this morning for North Carolina. Maybe I can take just 12 pounds of clay in the motorhome to make some pinch bowls, think Gary will notice? Please keep your fingers crossed that the motorhome makes it OK on this trip. We plan on selling it when we return to recoup our money. Comments are welcome.

Tuesday, September 21, 2010

How to Remove Glaze ?


Remember I made two vine vases? One was very tall and the other is the vase above. Well I put the same crackle glaze on the tall vase as this shorter vine vase above. The crackle glaze shivered off the other vase during the firing. Luckily I didn't fire this taller one below. So the taller vase is sitting in the cabinet with the glaze on it.


But how do I get the glaze off the tall vase so I can glaze it with another glaze? I can wipe the outside off, but how do I get all the glaze out of the inside? It's 16.5 inches tall and 4 inches wide and too tall and skinny for me to get my hands inside. Wish I was tall and skinny. Ha!


Do I just wash it out and then let it dry real well and then re glaze it? Maybe I'll bring it with me and sneak it into Meredith's kiln, it's cone 10 clay. I could use a cone 10 glaze. Think she'll notice if I put it in her kiln?

Many times I have a question and no one to ask, so I might start a regular post on Tuesdays with a question and call them question Tuesdays. What do you think? I mean what do you think about the vase? Comments are welcome.

Monday, September 20, 2010

Working With Clay and Fire


I love working with clay and fire. These two pieces are self portraits of a sort. While I'm working with clay I give my 'self' up to the clay; hence the androgynous style figures.


The bag is large in proportion to the figure; just how I feel working with clay. The possibilities are endless and are never ending to me.

The second figure is semi reticulated. I'd like to work more with that aspect. Next time I'll make the wire longer so the appendages are more movable; the wire's a little too short. I need to allow for clay shrinkage and a little extra to bend the wire to position the appendages where I want them.

Next time I'll make the knees and elbows movable. Hm, what about the wrists and fingers. See what I mean, endless possibilities. So I think to myself, why shouldn't I explore them?


Two more from this firing; small pinch bowl above and white stoneware vase with applied terra cotta strips vase below.


Off to pack for my trip. Comments are welcome.

Sunday, September 19, 2010

Burnt Offerings


stoneware purse
barrel fired with oxides and botanicals
9 x 10.5 x 2.5 inches

The handles broke off, but cleanly. I'll epoxy them on. I plan to put the purse on a wood base with a groove, so it stands upright on it's own.


purse without handle


back of purse


porcelain pinch bowl
prepared with strips of slipped paper towel
barrel fired with oxides and botanicals


side view


bottom view


strange coppery bronze circle
on another pinch bowl


fresh out of the barrel

Some of the pieces didn't get color so I am refiring those right now. Closed forms like the purse work better than open forms. The fire has a hard time getting to the inside of forms like the porcelain bag form on the right. I'll post photos in the morning of the refires. Comments welcome.