To be sure the pots bottom surface does not resist movement before setting the pot on the shelf, I place some silica sand on the shelf where the pot will be placed. The big pot on the left foreground had to bridge two shelves in order to fit. So after my measurements I scooted the two lower shelves together to meet one another. Once I got the largest pot set down without incident I breathed a small sigh of relief. I am not exaggerating to liken this process to surviving a game of Russian roulette. With each movement and placement I am afraid of a disaster. I breathe slowly then hold my breath, then I set the big pot down gently, and hope nothing untoward happens. I exhale the biggest pot has made it down on the shelf without incident.
Next the third pot goes in. Upon picking it up though I see I have made a serious error. I had it drying on a plastic open grid rack on a counter due to it's height. I had propped up the middle of the grid with wood so it didn't sag. The wood had pushed up on the bottom of the pot and made a big S crack in the bottom of the pot. Whoa is me. I should have realized this but I didn't. I decide to fire the pot anyway and perhaps make a false bottom and use it for myself. Now a couple of days later I am thinking why should I waste glaze on a pot which I am not able to sell.
The last pot back left goes in the kiln easily because it's not as tall or wide. All is fired and turned out fine. Next I have some sanding of the bottom edges of the two large pots because I couldn't sand them when green as they were too fragile and large to manipulate. Then I have the glazing to do. Glazing will take some time due to the size of the pots and the fact that I hand brush my glazes with a minimum of three coats. Tomorrow is our last farmers market selling day. We do have one day the first Saturday of December for Kris Kringle and that's it for this year. Thanks for reading and for all your comments.
Yikes...good job! Have a great market! Hope you sell out so you don't have to store things over the winter!
ReplyDeleteHi Barbara, thanks, it's supposed to be rainy so not sure how much I'll sell but then again maybe the rain will hold off till the afternoon.
ReplyDeleteJust reading about the process filled me with trepidation.
ReplyDeleteGood luck at the markets.
Hi Sue, thanks, I wanted my readers to understand the ins and outs of pottery making, it's not all that easy by ant stretch of the imagination.
DeleteLinda, I love working with the clay. However I have never loaded a kiln - but have watched them do it at the studio. Looks and Sounds a bit tedious. Good luck with your firing and with the sales at the show.
ReplyDeleteHi Rian, thanks, normally with smaller sized work or usual loading it isn't that bad, but I had a lot invested in these four pieces since they were so large and precarious in their own right, so hence the trepidation. the firing came out good and we shall see about tomorrow due to rain expected.
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ReplyDeleteYour posts about your wonderful craft...your special talent are always of interest to me. I love seeing your creations.
ReplyDeleteBack in the early 90s I did pottery for a while, and loved it. I found it very fulfilling. I've not taken it up again since then. I still have a few pieces of my own creation. I enjoyed the whole process...
Hi Lee, thanks, oh hope you do a post about your pottery and show some of the pieces. Recently I was able to watch some free videos by potters around the world and a couple of them inspired me to do some new experimenting this winter - perhaps you know of them, one is mocha diffusion, which sounds like coffee but it isn't and the other is cuerda seca. I've already begun a few experiments one which didn't turn out, we shall see.
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